Details:
① Artwork:
Untitled (S.#194)
This beautiful color woodcut was originally published as a suite of seven prints—#193-199 in the Schellmann catalogue raisonne. Each print in the series presented a different color arrangement. This print, for example, has a background of deep cadmium yellow. The artist has bisected it with red hand-stencil printing that leaves a thick impasto on the print. The work is made on a special Japanese wove paper called Tosa Hanga.
Donald Judd eschewed the classical ideals of representational sculpture throughout his career. The artist worked with clear, definite objects—creating a rigorous visual vocabulary that avoided grand philosophical statements.
Specs:
③ Artist:
Throughout his career, Donald Judd eschewed the classical ideals of representational sculpture to create a rigorous visual vocabulary. The artist sought to create clear and definite objects that could assume a direct material and physical presence—without recourse to grand philosophical statements.
BIO:
Donald Judd (1928-1994) was born in Excelsior Springs, Missouri. The artist's work has been shown extensively internationally, including at: MoMA in New York City; the Whitney Museum of Art in New York City; Gagosian Gallery in Paris, France; and the Venice Biennale; among others.
Judd's work is in the permanent collection of: the Whitney Museum of Art in New York City; the Museum of Contemporary Art in Los Angeles, California; the Museum of Contemporary Art in Chicago, Illinois; and the Walker Center in Minneapolis, Minnesota; among others.
Judd published a number of prints with Brooke Alexander.
This beautiful color woodcut was originally published as a suite of seven prints. Each print in the series presented a different color arrangement—this work has a background of deep cadmium yellow bisected by red hand-stencil printing that leaves a thick impasto on the print.More
- Framed: 26.0 x 33.8 x 1.5 in.
- Edition of 25
- Signed
