Details:

This painting features the artist's signature female-presenting figures relaxing outdoors amidst butterflies and birds. The artist explores concepts of self, authenticity and performance in paintings that frequently depict aloof characters with expressionless faces.
Framed: 30.2 x 24.2 in.

① Artwork:

Girls with Butterflies and Birds

This painting features the artist's signature female-presenting figures relaxing outdoors amidst butterflies and birds. The artist often depicts her subjects dressed in floral dresses and platform boots while inhabiting dreamlike landscapes filled with horses, flowers and greenery. The artist explores concepts of self, authenticity and performance in paintings that frequently depict aloof characters with expressionless faces. Borah uses oil paint along with the quick-drying medium of distemper to create surfaces that evoke the faded qualities of worn denim—along with the patterns of vintage fabrics and other decorative textiles.

Borah draws influence from the artist, poet and muse Marie Laurencin (1883-1956). Laurencin was among the only female artists associated with the Section D’Or and Cubist group, and she was the independent-minded muse of Guillaume Apollinaire for a time. Laurencin’s paintings—with their centering of female figures engaged in activities of leisure, beautification and nature forays—were often dismissed in their time for representing “everything that is wrong with women’s art.” Laurencin's work featured a pastel palette, an unapologetically decorative aesthetic and celebrated simple, pretty things like flower bouquets, flowing scarves, woodland idylls and the freedom of riding on horseback.

However, from a contemporary standpoint—including today’s fresh perspectives on gender fluidity and the wide spectrum of gender expressions—Laurencin’s painted worlds portray a feminine interiority that can be claimed and inhabited by those who find and see themselves in it.  This is where Meghan Borah’s femme-centric paintings connect back to and expand upon Laurencin’s female-oriented cosmos. While Borah’s “girls” tend to be feminine-presenting, their angular limbs and features, heavy platform boots and refusal to smile on command—especially while being looked at—resonate with feminism’s insistence that women's bodies belong to themselves and no one else. Borah's work insists that women should revel and take pleasure in themselves, adorn themselves as they wish, and share themselves with others if and as they choose.

Specs:

20 inches
26 inches
with frame
24.25 inches
30.25 inches

③ Artist:

Meghan Borah

Meghan Borah’s work explores the self, authenticity and performance in paintings that depict female-presenting figures inhabiting dreamlike landscapes filled with horses, flowers and greenery. The artist uses oil paint along with the quick-drying medium of distemper to create surfaces that evoke the faded qualities of worn denim, vintage fabrics and other decorative textiles. Wearing a combination of floral dresses and platform boots, Borah’s expressionless subjects remain aloof—refusing to smile on command, while insisting that their bodies belong to themselves and no one else.

BIO:

Meghan Borah was born in 1990. The artist received an MFA from the Painting and Drawing department at the School of the Art Institute of Chicago in Illinois in 2017, and a dual BA in Studio Art and Theology from Boston College in Chestnut Hill, Massachusetts in 2012. 

Solo exhibitions of Borah’s work have taken place at: Goldfinch in Chicago, Illinois (2021, 2019); Galerie Urbane in Dallas, Texas (2021); and Lillstreet Rooftop Gallery in Chicago, Illinois (2017).

Group exhibitions that have shown Borah’s work include: Intersection: Art Meets Fashion at The Avenue at American Dream in East Rutherford, New York (2021); Summer Collective at Galleri Urbane in Dallas, Texas (2020); Sleeper Cell at Apparatus Projects in Chicago, Illinois (2020); The Gift Edit at Galleri Urbane in Dallas, Texas (2020); Culture Place at the Dallas Art Fair in Dallas, Texas (2020); Templates for Public Art Vol. 2 at Free Range Gallery in Chicago, Illinois (2019); Collide at Young Chicago Authors Gallery in Chicago, Illinois (2019); B-Sides at East Room in Chicago, Illinois (2018); Anniversary Show at Over The Rainbow Gallery in Evanston, Illinois (2018); Vignettes at The Saw Room in Evanston, Illinois (2017); Netflix and Chill at D&S Gallery in Chicago, Illinois (2017); and in SAIC’s MFA Thesis Presentation at Sullivan Galleries at the School of the Art Institute of Chicago in Illinois (2017).

Borah lives and works in Chicago, Illinois.

Meghan Borah:
Girls with Butterflies and Birds, 2022
Oil on yupo paper
26.0 × 20.0 inches /