Details:

This pen, ink, and wash drawing is emblematic of James Wines’ skill and technique at rendering detailed visions of future projects while demonstrating how the act of drawing can simultaneously explore an idea and an atmosphere. The artwork depicts SITE’s design for Allsteel’s furniture showroom at the International Design Center in Long Island City, Queens (1986), and it consists of an Archeological History of Allsteel’s products and innovations over time within the present-day context of a functioning office furniture showroom.
Unframed
Singed
Available until 3:00 PM, May 31, 2024.

① Artwork:

ALLSTEEL SHOWROOM - ARCHEOLOGICAL HISTORY OF ALLSTEEL PRODUCTS IDCNY

This pen, ink, and wash drawing is emblematic of James Wines’ skill and technique at rendering detailed visions of future projects while demonstrating how the act of drawing can simultaneously explore an idea and an atmosphere. The artwork depicts SITE’s design for Allsteel’s furniture showroom at the International Design Center in Long Island City, Queens (1986), and it consists of an Archeological History of Allsteel’s products and innovations over time within the present-day context of a functioning office furniture showroom.

James Wines is the founder and president of SITE, an environmental art and architecture organization chartered in New York City in 1970. His hand drawings for SITE propose a contextual interpretation of buildings and public spaces. More recently, they describe a condition of ‘passages’ proposing how walls can serve as sponge-like membranes to reflect social, cultural, psychological, or topographical content.

Specs:

20 inches
13.88 inches

③ Artist:

James Wines

James Wines is the founder and president of SITE, an environmental art and architecture organization chartered in New York City in 1970. His visual art, architecture, landscape designs, and public projects are based on a site-specific response to surrounding contexts, and he advocates for ‘integrative thinking’ as a means of including multi-disciplinary ideas from outside the traditional design professions. His hand drawings for SITE propose a contextual interpretation of buildings and public spaces. For most designers, graphic representation is used primarily to describe a precise set of formal intentions. But, Wines proposes architecture can be interpreted fragmentarily and inclusively instead of as a sculpture sitting on a pedestal. His recent drawings describe a condition of ‘passages’ proposing that walls can serve as sponge-like membranes to reflect social, cultural, psychological, or topographical content.

James Wines was born in 1932 in Chicago, IL, and lives in New York City, NY. He graduated from Syracuse University in Syracuse, NY (1956).

A retrospective of his drawings for SITE was mounted at the Tchoban Museum in Berlin, Germany (2021).

Wines was awarded the Smithsonian Institution’s National Design Award for Lifetime Achievement (2013), the ANCE Annual Award for an International Architect (2011), and the Chrysler Award for Design Innovation (1995). He has received fellowships and grants from the National Endowment for the Arts, Kress Foundation, American Academy in Rome, Guggenheim Foundation, Rockefeller Foundation, Graham Foundation, and Ford Foundation.

He has written seven books on art and design and has designed over 150 buildings, public spaces, exhibitions, landscapes, and environmental artworks for private and municipal clients in 11 countries.

James Wines:
ALLSTEEL SHOWROOM - ARCHEOLOGICAL HISTORY OF ALLSTEEL PRODUCTS IDCNY, 1986
Sepia and ink rendering
13.9 × 20.0 inches /