Angulo’s practice interrogates human psychology through stylized vignettes of doll-like figures that masterfully tread between the idyllic and the unsettling. Depicting exaggerated and heavily sexualized bodies, her subjects confront us with disconcerting, wide-eyed gazes and stiff smiles. These saturated works aim to deconstruct notions of perfection and imposed limitations of being, visually riffing on art history and other sources ranging from newspaper comic strips to mid-twentieth century pin ups.