Henry Glavin explores the architecture and landscape of the Northeast by bathing seemingly comforting and familiar spaces with a stark light that subverts nostalgia. His subjects are drawn from locations across upstate New York, Massachusetts, Connecticut, Brooklyn, and Manhattan yet emerge from a shared American landscape. Glavin exaggerates romantic tropes, such as traditional “golden hour” landscapes, and blends them with concepts from modern photography to create scenes that feel both staged and spontaneous.