Working between sculpture, functional objects, and jewelry, Antonia Pinter creates pieces that suggest narratives while preserving their mysteries. Beginning in wax and later cast in metals such as brass, bronze, and aluminum, Pinter employs a transformative process that shapes energy and imagination into material form. Her works—including candelabras, elf houses, vessels, and bells—transcend mere function, becoming objects of spiritual resonance that blur the line between utility and sculpture. Pinter’s background in publication and poetry manifests in her use of mythic lore and repeated glyphs, forming a sculptural language that evokes myth, ritual, and the collective unconscious.

Antonia Pinter (b. 1988, Seattle, WA) is an artist based in Los Angeles, CA. She is one half of the artist collective A History of Frogs and has presented solo exhibitions at Marta Gallery, Los Angeles, and NADA, New York. Pinter’s work has been included in group exhibitions at the Herbert Art Museum as part of the Coventry Biennial, Coventry, UK; Jacqueline Sullivan Gallery, New York; Massey Klein Gallery, New York; Dimin, New York; NOON Projects, Los Angeles; BozoMag, Los Angeles; and The Valley, Taos, among others.