E.V. Day’s Mummified Barbies transform the iconic doll into a sculptural exploration of beauty, femininity, and cultural obsession. By wrapping and concealing Barbie’s exaggerated features and accessories, Day situates her within a long history of idealized feminine figures, from Venus to Aphrodite. The mummification process both preserves and silences Barbie, creating a phallic totem that invites objective reflection on the fetishization of the female form. In concealing her stereotypical beauty, the project playfully subverts the very ideals it references, turning a familiar symbol into something simultaneously provocative and absurd. This ongoing series interrogates society’s fixation on preserving and controlling female aesthetics.
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About the artist:

E.V. Day is a New York based artist whose work explores themes of sexuality and humor while employing gravity-defying suspension techniques. By manipulating iconic imagery from popular culture, Day re-animates the recognizable into new forms that illuminate contradictions in gender roles and stretch the confines of social stereotypes. Recently awarded the prestigious Rome Prize for Visual Arts by the American Academy in Rome, Day worked for a year in the Eternal City where she continued a twenty-year practice of creating sculptures that interact with, and respond to renowned architectural spaces.

The first work in her Exploding Couture series, Bombshell, included in the 2000 Biennial of The Whitney Museum of American Art, was suspended in the lobby of The Breuer Building, and is now in the Museum’s permanent collection. Day has had numerous solo exhibitions, including the installation G-Force at The Whitney Museum at Altria in 2001, in which she suspended hundreds of thongs from the ceiling in fighter-jet formations, and a survey exhibition at the I.M. Pei-designed Herbert F. Johnson Museum of Art at Cornell University in 2004. Bride Fight, a high-tension string-up of two dueling bridal gowns, was exhibited at Lever House as part of their collection in 2006. In 2010, she exhibited Divas Ascending, a 14-sculpture installation at Lincoln Center created from costumes from the archives of the New York City Opera—an exhibition that traveled to The Kentucky Center for the Performing Arts in 2011, to The Houston Grand Opera in 2012, to The Memphis Brooks Museum in 2019, and The Taubman Museum from 2021-2023.

Day’s work is in the permanent collections of The Whitney Museum of American Art, The Museum of Modern Art, The San Francisco Museum of Modern Art, The Brooklyn Museum, The National Museum of Women in the Arts, The New York Public Library, Saatchi Collection, Lever House, The Smithsonian National Air and Space Museum and in numerous private collections. In addition to The Rome Prize, she has been awarded grants and residencies from Versailles Foundation Munn Artists Program, at Claude Monet’s Garden, Giverny, France; ArtPace International Artist-in-Residence, San Antonio, Texas; NYFA: New York Foundation for the Arts; Dieu Donné Lab Grant in NYC and Residency at The Atlantic Center for the Arts with funding provided by The Joan Mitchell Foundation. Day has exhibited with private galleries including Deitch Projects, Carolina Nitsch Contemporary Art, Mary Boone, Sandra Gering, Salomon Contemporary, and Henry Urbach Architecture in New York; with Rhona Hoffman Gallery in Chicago; with Baldwin Gallery in Aspen; and with Galerie Hans Meyer in Berlin.

Specs:

3 inches
12 inches
2.5 inches
12 inches
E.V. Day:
Mummified Barbie, Bondage Series VI, 2016
Bleached beeswax, linen and black cord
12.0 × 3.0 inches /
Coming soon