This still life painting depicts sunflowers cast in artificial light that floods the scene from an interior window. The artist lowers the overall tonal value in this work, allowing for darker hues to appear more vibrant—hues that emphasize the atmosphere and electricity of what is alive in the night.
Marceline Mason's paintings are meditations on the urban landscape at night that reverse the role of the figure and the natural world. The artist depicts trees and foliage as figures set against a human world of light pollution and concrete. Mason's application of color creates limited, tonal depictions of nature cast in man-made light. The resulting compositions depict a fleeting symbiosis, where plant life and natural atmosphere exist alongside traces of human ephemera.
Marceline Mason’s paintings are meditations on the urban landscape at night drawn from the artist’s lived experience in Detroit. The artist uses limited and tonal colors to depict nature in man-made light, creating a fleeting symbiosis of plant life and human ephemera. Reversing the traditional trope of a subject shown in the natural world, Mason’s work depicts trees and foliage as figures set against a human world of light pollution and concrete.