About the artist:
Artist Marika Thunder was born and raised in New York City. Her series’ range from collages of pop culture, religious and ceremonial traditions, to exercise equipment and other heavy machinery she comes across during excursions to junkyards. However, they all share a common theme of depicting her chosen subjects in states of fragmentation, repair, and/or transformation. Her subversive and vibrant configurations are attempts to tap into the collective consciousness of individuals impacted by institutions and the surreal and formative memories we all share.
Solo exhibitions include: "Lindsay 2.0," Profil Gallery, Paris, FR (2026); "Not Like The Other Girls", HoffmanMahlerWallenberg, New York, NY (2026); "Demolition," Marc LeBlanc Gallery, Chicago, US (2026); "Sensitive Machines," Caprii Room, Dusseldorf, DE (2025); "Dr. Oppenheimer," www. willshott, New York, US (2025); and "Desire," National Arts Club, New York, US (2024). "Body Of Work," Reena Spaulings, Los Angeles, CA (2024), "Cotillion", Deboer Gallery, Los Angeles, CA (2023).
Selected group exhibitions include: "Cell Repair," organized by Eidmann Gallery, Tara Downs, New York, US (2026); "Revolve," Market Gallery, New York, US (2025); "Small Format Painting," 56 Henry, New York, US (2025); "Persona" Fredericks and Freiser, New York, US (2025): "Holy Motors," Temple Projects, Los Angeles, US (2025); "This Might Be It," Galerie Hussenot, Paris, FR (2024); and "Everyone Loves Picabia," David Lewis Gallery, New York, US.





