Untitled (purple passing)
This painting depicts a house and yard as if quickly glimpsed from a moving vehicle. The artist's compositions filter access to an event through light and evocative mark-making, showing viewers that everything we encounter may be fleeting, elusive and in question.
Since March of 2020, the COVID-19 pandemic has had an immeasurable impact on every aspect of our lives. For many artists, the imposed quarantine liberated a desire to isolate, focus and make. For Nathaniel Robinson, who lives and works in Upstate New York, the restrictions may have resulted in an interpretive reframing of an already well-developed series of paintings. Even before the lockdown, the artist was drawing attention to the beauty of the overlooked. This painting is part of a series that is the culmination of a specific time spent in reduced social circumstance. These works direct attention anew to the relationship between close looking and the time necessary to do so. Many of the paintings reflect on the ubiquity of particular subjects—exurban housing, rural landscapes and domestic still lifes—to offer an intimate or resonant relationship with something normally passed by. As we now breathe through masks and transact through partitions, the work of Robinson takes on a new level of importance. While it’s clear that his intent to bring the mystery of the commonplace to us through painting was not with COVID-19 as a backdrop, the depth of this cultural phenomenon may intensify the experience of his work.
Nathaniel Robinson’s practice—encompassing painting, sculpture and installation—uses different tools and mediums to explore how thinking is related to seeing. The artist’s approach to painting ranges from uncovering hidden aspects of photographic images to the ambiguities and contradictions that govern representation. Robinson’s work explores how physical reality frequently intrudes into the world of ideas—and how even the factual can remain mysterious.
This painting depicts a house and yard as if quickly glimpsed from a moving vehicle. The artist's work reflects on the ubiquity of particular subjects—exurban housing, rural landscapes and domestic still lifes—to offer an intimate or resonant relationship with something normally passed by.More