Blues Men (Willie Dixon)
These etchings are based on a series of iconic watercolors. Working from source photography depicting renowned blues and soul musicians, the artist isolated their faces from all other details and rendered these portraits with just a few strokes. The negative space of the blue background in these etchings forms the contours of the face, which recall’s Schütte’s well-known sculptures of ceramic heads. Schütte's work frequently explores the role of the artist in society; these tender portraits of Black Americans evoke the rapport between subject and artist, as well as the significant barriers the musicians faced in their artistic lives.
The series of watercolors used to create these etchings where made by the artist for the 2019 exhibition of his work at Kunsthaus Bregenz. The print portfolio was also created specifically for the Kunsthaus Bregenz exhibition. Schütte selected eight portraits from the watercolor series and rendered them as etchings, each one larger than the watercolors. The original works were also enlarged as billboards to promote the exhibition.
Emerging in the 1980s, Thomas Schütte is widely considered one of the most important sculptors of his generation. In addition to sculpture, the artist’s work encompasses printmaking, watercolor paintings and installation. Schütte uses materials such as steel, aluminum, bronze and more to create his most recognized sculptural work: busts with dripping features that exemplify the artist's exploration of the human body and the role of the artist in society.
These etchings are based on a series of iconic watercolors; the artist worked from source photography depicting renowned blues and soul musicians. These tender portraits of Black Americans evoke the rapport between subject and artist, as well as the significant barriers the musicians faced in their artistic lives.More
- Edition of 35