ELIZABETH SHULL
SPOTLIGHT:
ELIZABETH SHULL
Elizabeth Shull’s drawings emerge from darkness into light. Working on black paper, she builds images through layered, sensitive marks that feel at once observed and imagined—each one beginning from a word, thought, or phrase translated into visual form. Though intimate in scale, the works carry a sense of expansiveness, shaped by a close, almost devotional attention to the natural world. Balancing the lyrical and the abstract, Shull creates spaces that feel both grounded and indeterminate—inviting a slower kind of looking, where perception, memory, and imagination begin to blur.
Read on to explore the selection and learn about Shull’s practice in her own words.
How do you describe your practice generally, and what inspired the artworks of yours on Platform?
I try to make sense of place in a meditative reactionary way where the small moments are actually the big ones–while holding pure reverence for the passage of time.
The pieces represented on Platform are from an ongoing quest to “historically” record thoughts and interests as they merge with my imagination. Led by curiosity, awe, and wonder, I am energized by the translative process.
Note to self…make what you see from the inside where your imagination meets real space, yet all the while listen to the whispers.
A serendipitous moment on one of Shull’s morning beach walks.
What’s your first memory of being impacted by art?
My earliest “art memories” have to do with the tactile fascination of making marks, whether it was finger painting, drawing with sticks in the dirt or limestone chunks in the street. I loved looking for fossils and can remember so clearly breaking away layers of limestone, by my house, in search of time’s treasures. The natural world has always been my focus place and fuel for perpetual curiosity.
If you could collect any one artist, who would it be?
This changes regularly but now it would be any one of Seurat’s charcoal drawings.
What song(s) do you have on repeat right now?
I rarely listen to a song or artist on repeat. My playlist is eclectic and pulls from most genres and time periods. But with that being said, these past couple of weeks, I have replayed these few songs often. I listen to Brian Eno and Kinnship quite a bit also.
Rain —Dustin O’Halloran
Esja—Hania Rani
Luther—Kendrick Lamar, SZA
On my daily ocean walk I usually have music in one ear. I find it visually enhancing.
What’s your motto, if you have one?
This is tacked up in my studio. I have no idea of the source: “No one is you and that is your power.”
ABOUT ELIZABETH SHULL
Elizabeth Shull is a Los Angeles-based artist originally from Southern California. Rendered with poetic sensitivity and contemplative precision, her work explores the nuanced intersections between the natural world and the internal landscape.
Shull has exhibited with Lowell Ryan Projects, Los Angeles, CA; Nino Mier Gallery, New York, NY; M+B, Los Angeles, CA; Pamela Salisbury Gallery, Hudson, NY; The Drawing Center, New York, NY; Art Division, Los Angeles, CA; Simard Bilodeau Contemporary, Los Angeles, CA; MePaintsMe; and Project Gallery V; among others. Her work has been featured in Harper’s Magazine, Majuscule, The Brooklyn Rail, ArtMaze Mag, Posit Journal, Venti Journal, and LA Art Documents.
Shull holds a BA from the University of California, Santa Cruz, and an MFA from Otis Art Institute in Los Angeles.