Details:

This drawing depicts a black moth and a white moth resting on the iridescent bark of a silver birch—which is made up of small wavering indentations of light, with subtle shifts on the surface. There is a hole to the inside of the tree where the moths have gathered and seem to become a third figure.
Framed: 13.4 x 19.7 in.
Signed

① Artwork:

Three moths

This drawing depicts a black moth and a white moth resting on the iridescent bark of a silver birch—which is made up of small wavering indentations of light, with subtle shifts on the surface. There is a hole to the inside of the tree where the moths have gathered and seem to become a third figure. The artist’s charcoal drawings are the initial source of her paintings. The act of drawing is where Mollett pays full attention to what’s happening in her composition and begins imagining how the painting will unfold.

Mollett's work frequently features forms that verge on being recognizable—thresholds that open and then fold in on themselves as the material body dissolves and structures liquefy. The artist's works often depict an absorbing encounter with a non-human being. Mollett researches their mythology, geology and biology, which often become metaphors that inform aspects of each painting’s layers. In each composition, Mollett looks carefully at how motion and direction in each area react and relate to one another. By questioning what’s needed for the essence to remain, each work opens up new possibilities for an image. The resulting shifting passages portray a version of consciousness that alternates between continuous flow and sudden thoughts—a fragmented interior space full of collages of memory and anticipation for the future.

Specs:

16.5 inches
10.16 inches
with frame
19.7 inches
13.4 inches

③ Artist:

Francesca Mollett

Francesca Mollett’s paintings explore intimate exchanges between human presences and other bodies found in nature such as water, stones, plants and the weather. The artist uses abstraction as a method for interpreting surfaces—employing acrylic and oil on calico to reinvent the inside of a sacred well, for example. Mollett’s paintings dissolve bodies and liquefy structures to simultaneously deconstruct and expand the viewer’s knowledge of their surroundings.

Francesca Mollett:
Three moths, 2022
Charcoal on Surrey cartridge paper
10.2 × 16.5 inches /