This photograph explores the layer of distortion and misapprehension introduced by the camera. The composition foregrounds the inevitable misalignments that occur when three-dimensional form and space are translated into a two-dimensional image. O'Keefe's tools—as well as the questions and issues she addresses regarding spatial perception—are rooted in the abstract, formal language of making she developed as an architect.
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Erin O’Keefe’s photographs ask questions about the nature of spatial perception. She uses tools rooted in the abstract and formal language she developed while working as an architect. O’Keefe is interested in the inevitable distortion introduced by the camera when an object is translated from three to two dimensions—causing misalignment and misapprehension for the viewer.