This nine-color lithograph print is part of an edition of 33 made on Arches Cover paper. For this mesmerizingly intricate work, the artist expands upon his "visual algorithms"—rules and constraints that he invents and follows through in each of his works. In this composition, Siena's lines and mark-making evoke an aerial view of the undulating coast line of the city Tanagra in Greece.
Siena's work draws inspiration from artificial intelligence, investigating the imaginary space of programmers' source code through paint. The artist says of his process: "I don't make marks, I make moves. The reality of abstraction is my primary point of engagement. When I make a painting, I respond to a set of parameters—like a visual algorithm."
Siena's abstract paintings draw inspiration from artificial intelligence and investigate the imaginary space of programmers' source code. Siena's compositions may seem like decorative puzzles or labyrinths, but there is a logic base in each work—a set of parameters, like a visual algorithm, that the artist follows.
James Siena was born in California in 1957. The artist came to the East Coast in 1975 to study at Cornell University where he received a BFA from Cornell University in Ithaca, New York in 1979. Twenty years later, Siena received the prestigious Tiffany Foundation Grant. In 2000, the artist was given an award by the American Academy of Arts.
Siena's first solo exhibition in New York was at Pierogi 2000 in 1996. The artist's work has been shown in numerous solo exhibitions since, including at: Gorney Bravin + Lee in New York City; Daniel Weinstein in San Francisco and Los Angeles, California; and the San Francisco Art Institute in California.
Siena's work has been shown in a number of group exhibitions, including at: the National Academy of Design in New York City; the Weatherspoon Art Gallery in Greensboro, North Carolina; the San Francisco Museum of Modern Art in California; and the Whitney Museum of American Art for their 2004 Biennial.
Siena was invited to ULAE by Larissa Goldston in the summer of 2003. Although the artist had been making prints for years, he came to ULAE specifically to explore stone lithography.
This nine-color lithograph print is part of a limited edition made on paper. For this mesmerizingly intricate work, the artist expands upon his "visual algorithms"—rules and constraints that he invents and follows through in each of his works.More
- Edition of 33