At first glance, this work appears to depict an arrangement of bricks that have been uncovered by the deterioration of a crumbling stucco wall. Details in the print reveal they are not bricks at all, but pieces of glass that have been stuck to the wall with Velcro. The uniformity of color in the artwork functions as a momentary mask for the planned aspect of the composition—obscuring the artist's expenditure of energy and time in its creation.
This work is part of the series Drawns by the artist. In these works, Lehr calls attention to expressive places in the everyday world. In each photograph, the artist considers objects, images and words in relation to physical sites that elaborate, erase or otherwise modify their meaning. It is often unclear which comes first in these works—accident or intention, repair or damage, documentation or invention. As the title suggests, all these elements seem to coexist in the continuous present of Lehr’s photographs. These works highlight the vast gulf that separates images from lived experience.
In each artwork, the final print hovers over a gray rectangle that sits in the center of a larger white rectangle of the paper itself. These overlapping shapes suggest windows on a computer screen or applications on a digital device—or perhaps the pages of a calendar. Each of the three elements are treated with different varnishes in the artist’s studio to protect the print. They also repel and reflect light depending on the environment. The treated prints are then mounted to a rigid material, which is trimmed at an angle and placed into an acrylic float frame. When viewed from the front, the work appears to be an image; when viewed from the side, it is clear it is an object.
John Lehr’s photography frequently explores the construction of meaning in compositions that feature manufactured environments in various states of decay. His work examines different processes for photo development and alteration that highlight the impact of digital tools on the medium. Lehr employs a host of printing and mounting techniques when creating final prints of his photographs, drawing attention to the dual nature of each work—both as an image and as an object.
At first glance, this work appears to depict an arrangement of bricks that have been uncovered as a stucco wall begins to crumble. Details in the print reveal they are not bricks at all, but pieces of glass that have been stuck to the wall with Velcro.More
- Framed: 24.6 x 20.6 x 1.5 in.
- Edition 1 of 1 with 2 AP
- Artist's frame
- Will take 10 business days to ship